Dual-career families Essay Example | Topics and Well Written Essays - 250 words

An Analysis of Fishering by Brian Doyle free essay sample

Fishering Analysis In the non-anecdotal exposition Fishering by Brian Doyle, the author really expounds clarifying one of the most dreaded creatures the wolverine. In this short paper the creator Brian Doyle clarifies the noteworthy significance that the wolverine assumes in the job of the wild, two significant populaces in Oregon where you may discover a fisher (wolverine), alongside strolling around in the wild searching in vain specific. In this paper I will analyze the authors key highlights, for example, the scholars postulation alongside supporting subtleties and in general structure of the article. The short story Fishering is an all around organized exposition clarifying key focuses in every one of the three sections. In the primary passage the creator clarifies how the wolverine is one of the most dreaded creatures in nature. The subsequent section contains data around two huge areas including the Siskiyou Mountains and the Cascade Mountains where there has been no fishers for more than 50 years. We will compose a custom paper test on An Analysis of Fishering by Brian Doyle or then again any comparable theme explicitly for you Don't WasteYour Time Recruit WRITER Just 13.90/page The last section contains the data about what the creator searches for when he has been meandering around the forested areas yet informs us concerning the unique things that he has seen. One of the primary things that I saw when perusing the short story was the way well the creator portrayed the wolverine. In one of the creators sentences the creator portrays the wolverine as an unprecedented competitor of the thick woods and snowfields, yet as carrier of a coat so thick and brilliant that it has been searched out agerly by trappers for a large number of years (pg. ). Its extremely clear to comprehend the creators proposition which is pondering where fishers can be found. This was a fascinating short story that gives a definite portrayal to express what is on his mind in such a short story. The writer appears to be exceptionally aim in finding a fisher, yet Im not entirely certain that is the best thought however the short story was enjoyable to peruse and it was intriguing to discov er that a wolverine is likewise called a fisher.

7 Indispensable Tricks for Writing Comic Books

7 Indispensable Tricks for Writing Comic Books As the longtime creative director of Marvel Comics and one of the most iconic comic book creators of all time, Stan Lee (1922 â€" 2018) was the mastermind of a Marvel Universe full of timeless characters and stories that continue to capture the imagination of new generations of comic book fans.At first, however, Lee lacked confidence in his writing. As he would later explain in his autobiography, he felt that comic books (and therefore, comic book writers) had a low status in the literary world. As a result, he used a pseudonym for some of his earliest comic book work. He writes, I used to be embarrassed because I was just a comic-book writer while other people were building bridges or going on to medical careers. And then I began to realize: entertainment is one of the most important things in peoples lives. Without it, they might go off the deep end. I feel that if youre able to entertain people, youre doing a good thing.As we all know, Stan Lees comic books not only brought him (a nd the Marvel company) massive successâ€"they also played a large role in elevating comics to a genre that is well-respected and continuing to grow in popularity. If you have been thinking about writing a comic book and are unsure of how to go about it, here are seven little tricks to keep in mind as you write.Photo by Lena Rose on UnsplashTip #1â€"Focus on story first, then layout secondEven though comic books are often best known for their imagery, as a rule of thumb, when writing a comic book, you should first focus on the story. Stan Lee puts it simply: Comics are stories; theyre like novels or anything else. So the first thing you have to do is become a good storyteller.While were on the topic of storytelling, if you are unsure which story you want to tell, consider the fact that many comic books and graphic novels published in todays market are retellings of older stories. This graphic novel retelling of William Shakespeares Romeo and Juliet and this comic book-inspired versio n of Victor Hugos Les Misérables are great examples. Even Stan Lee borrowed much of his storytelling from classic Greek and Roman myths, so dont be afraid to put a new spin on an old tale if you are stuck on the story part.Tip #2â€"Know the end and work backwardsThis same piece of advice holds true for writing any type of story, whether it be a short story, novel or comic book. When you know your ending firstâ€"before putting pen to paper (or fingers to keyboard) for the first draftâ€"youll be able to write a more succinct storyline with fewer holes in the plot.This doesnt mean that you need to know every detail about how your story will end. It only means that you should have a general idea of the major events that will take place at the end. You should know which character will be involved and the overall character arcs for your major characters (particularly the protagonist).This is especially important if you plan to write a series of comics. Knowing what happens at the end wil l help you divide the story correctly into segments and end each book on the right kind of cliffhanger (which well discuss more in tip #4).Tip #3â€"Outline completely before writingHeres another tip you should follow in the writing process, regardless of what type of fiction you are writing. Having an outline is one of the most important things (if not THE most important thing) you can do before sitting down to write your comic book. You dont need to know every detail at the beginning, but you should have a general idea of your setting, plot structure, major characters, their motivations, and their character arcs as the plot progresses.If youre stuck at this part, I recommend reading Blake Snyders Save the Cat! series. While he initially focuses on writing a screenplay, he offers invaluable advice on two different facets of outlining a story for any media. First, he provides a beat sheet focusing on the 15 major beats that occur within all great movies/screenplays. You can essential ly take these beats and fill them in with your storys unique details to have a well-rounded plot outlined quickly. Second, he reviews the essential ten types of stories that encompass most plots. For example, he breaks down the most popular types of stories into easily digestible, overarching themes. A few examples are:Monster in the House (Alien, The Ring, etc.)Dude with a Problem (Die Hard, Open Water, etc.)Rites of Passage (Napoleon Dynamite, Kramer vs. Kramer, etc.)Buddy Love (When Harry Met Sally, Brokeback Mountain, etc.)Fool Triumphant (Forrest Gump, Legally Blond, etc.)Tip #4â€"For multiple issues, end on a cliffhangerI touched on this briefly above, but this is especially important during the outlining process if you are creating a series of comic books. As with any seriesâ€"and particularly in comic booksâ€"ending each issue on a cliffhanger is essential if you want to keep your audience engaged in the overall story youre writing.In writing comics, its important to keep th is in mind as you outline each issue. If you are creating a series, you should outline the entire series before writing the first comic book, and the outline should be completed before any artwork is begun. Pay special attention to page numbering as you outline and determine cliffhanger cut-off points for each issue, as this will determine the level of interest you are able to maintain with your audience and whether theyll want to purchase following issues (after reading the first).Photo by Andreas Fidler on UnsplashThere are also software programs available such as Celtx, which includes a comic book option for its script writing features. Using software to assist with layout and page numbering during the outlining and writing processes helps extensively with this cliffhanger strategy.Tip #5â€"Make sure your setting and characters are memorableSince comic books have limited room for extended exposition, having a memorable setting and unforgettable characters is important. Stan Lee p uts it like this: To my way of thinking, whether its a superhero movie or a romance or a comedy or whatever, the most important thing is youve got to care about the characters. Youve got to understand the characters and youve got to be interested. If the characters are interesting, youre half-way home.When you think back over some of the bestselling comic books and graphic novels (Neil Gaimans Sandman series and Robert Kirkmans The Walking Dead series come to mind), youll find that two things they all have in common are a unique, intriguing setting and fascinating characters. Both drive the story when limited exposition and dialogue are necessary (such as in comic books) and both will ensure a comics success if crafted properly.Tip #6â€"Notebooks and audio recorders are great for stealing dialogue you hear throughout the dayThis tip comes directly from Tony Max, indie comic book author and illustrator of The Golden Silence series. As a writer, he often catches conversations on audio recorders (with the permission of the speakers, of course) to get a feel for the cadence and word choice of everyday conversations between people. He is then able to listen back through and recreate a realistic dialogue in his comic books.Since comic books rely heavily on dialogue to fill in details of the exposition, creating realistic dialogue should be a focus while youre writing. Often, panels dont have enough room to have a lot of dialogue either, so the dialogue you do include needs to be sharp, poignant, essential to the narrative, and realistic for the genre. Think of it as the bones that hold the narrative framework together.Tip #7â€"Phrase books help to find the right wordsPhrase books are great resources for writers of all genres in that they can help spark the creative Muse when writers block sets in (and lets face it, all writers experience writers block at some point or another). For example, this phrase book by USA Today bestselling author Jackson Dean Chase offers o ver 500 descriptions of weapons, wounds, wild animals, weather, emotions, dangerous places, and more, plus a combat thesaurus that covers everything, from attack to defense, ranged to melee, and from monsters to magic spells and psychic powers.Action Writers Phrase Book by Jackson Dean ChaseWhether your comic book is sci-fi, action and adventure, romance, fantasy, or somewhere in between, youll be able to find phrase books offering a plethora of information on costume, weaponry, fighting techniques, survivalist tricks, technology, period-correct verbiage, naming strategies, and more. They are really indispensable to any writers collection of source books and are especially useful in writing comics, where elements like worldbuilding and costume are essential for success.

Learn to Tell Time in German

Telling time in German requires knowing three basic ingredients: the numbers from 1 to 59, the German words for to and after, and the fractions quarter and half (past). Heres How: Learn or review the German numbers from 1-59.An hour is divided up like a pie into quarters (viertel) and halves (halb).For half past, you say halb and the next hour. Halb acht 7:30, i.e., half (way to) eight.After is nach. Es ist zehn nach zwei 2:10 (Its ten after two).For quarter past, you say Viertel nach: Viertel nach neun 9:15.To or before is vor (FOR). Viertel vor zwei 1:45. Zehn vor elf 10:50.English oclock is Uhr in German. Es ist fà ¼nf Uhr 5:00 (five oclock).For precise times, you say Uhr between the hour and the minutes: zehn Uhr zwà ¶lf 10:12.For many common situations (timetables, TV guides), Germans use 24-hour (military) time.Add 12 to a pm time to get the 24-hour form: 2 pm 12 14.00 (vierzehn Uhr).To express 24-hour time, be precise: zwanzig Uhr neun 20.09 8:09 pm.Practice your German time-telling skills with every clock or schedule you see. Tips: Make sure you know your German numbers well. Watch out for eins. With time its ein Uhr (1:00).Accept the fact that there are different ways of telling time in different cultures, none of which is better or worse than the others.Remember that understanding the time is usually more important than being able to say it.

Supply Chain and Facilities Management Example

Essays on Supply Chain and Facilities Management Statistics Project Running Head: Supply Chain Management Balance Scorecards: West Central Hospital Part A In regard to the overall rating of hospital, patient satisfaction plays an important role as number of infections and patient’s infected act as numerator while number of patients admitted are used as denominators for the purpose of measuring the hospital’s performance. The overall rating for the hospital from FY 2007 to FY 2009 reveals that the hospitals performance is moving slightly downwards which is supported simultaneous decline in communication with nurses and doctors. The only positive and healthy area in the scorecard is the percentage of patients’ likelihood to recommend the hospital which has increased from 67% in FY 2007 to 75% in FY 2009. A critical review of the data relating to quality outcomes reveals that though the rate of patients transferred to hospital during a Home Care episode has increased, the fact that communication process with health professionals has decreased during these three years has helped to the decline in overall rating of hospitals. This data can further be analyzed with additional inputs from external forces like competitiveness, customer satisfaction, political and environmental analysis and internal forces like employee satisfaction, motivation, which may improve the performance of hospital and at least help in achieving positive results in communication with patients which may affect the overall rating of the hospital. Part B: Overall Scorecard and Monitoring a Strategic Goal The overall performance of balance scorecard is satisfactory while the hospital has still managed to make good profit though the profit made in 2009 is less compared to 2008.The major area of concern is the patient satisfaction which needs to be addressed by the hospital management while reviewing the performance and making decisions. It is pertinent to mention that communication with nurses and doctors is declining which makes it very important for the management to take note of this because patients need to be attended promptly and failure in doing so will result in negative feedback and bad publicity. Hospital management can use this balance scorecard in an effective manner to address issues like quality of service by developing infrastructure and facilities apart from preparing a framework to increase profits and reduce costs. Though the balance scorecard is fully equipped providing information on most of the aspects of management and performance; patients feedback on service, d octor’s attendance, facilities, etc. including ambulance services all covered under one metric will help the management to deliberate on the performance during decision making process. It is pertinent to mention here that hospitals are facing stiff competition in the market therefore it is necessary for the management to prepare a comprehensive strategy addressing the issues of importance.

The Modern Alterations of Native American Life Free Essays

Modern Native American life has changed drastically from that of what it used to be. One can only imagine how incredibly hard life would have been in the late 1800s without the help of modern technology. In James Welch’s book, Fool’s Crow, one not only learns what the Western United States was like in the late 1800s, but can also grasp the ways of early Native Americans. We will write a custom essay sample on The Modern Alterations of Native American Life or any similar topic only for you Order Now Fools Crow, the main character in the book, portrays exactly what the average Indian boy of his day was like. He had strong family values, faithful religious beliefs, and knew his direction in life. Unfortunately this is not so true for most Native Americans of today. Many current Indians are suffering from poor family structure, lack of education, and loss of religious beliefs. Family structure was one of the most important aspects of life for Native Americans of the 1800s. Back then there was almost no difference between an Indian man or woman’s fifth cousins and his or hers sister. Both were treated the same, and both were respected immensely. But now the family structure of Native Americans has diminished. The communication between the majority of parents to children is very slim, if any, and many young Native Americans don’t even have contact with there grandparents and other extended family. In Fools Crow’s generation it was very common to often have ceremonies where all members of a family were expected to attend, whether they were a grandparent or a brother. This failure of family structure in modern Indians has caused many individuals to lack security and subsidity. Education is a problem among Native Americans as well. It used to be that when a young Native American turned a certain age it was his or her duty to learn the ways of survival. For boys it was hunting and learning to provide for his future family. For the women it was learning various duties such as cooking, tanning hides, and caring for the children. Indians used to educate themselves in order to survive as a team. Each person learned to do his or her specific duty in order to prosper individually, and as a tribe or band. But now education is substantially different. It still focuses on the essentials for survival and the need for one to prosper as an individual, but it lacks what white people are learning. Teachers on reservations are often the product of poor education themselves, and have nothing to offer young Native Americans. One of the most prominent problems, however, is that reservations can’t afford to hire quality teachers to educate their children. Thus, there continues to be uneducated Native Americans, which, in turn, causes this misfortunate cataclysm to continue. Another, and most important, aspect for a specific group of people to thrive, is religion. Ever since the first civilized human lived, there was religion. For most people, religion is the glue that holds their life together. It helps to provide purpose and meaning to all life. Native Americans of the 1800s, and before then, held very strongly to their beliefs. Religion was in everything they did. Whether it was planting crops or going on a big hunt, religion was the key to it. But now the Native American’s religious beliefs have faded dramatically. Most of today’s Indian youths no longer believe or practice the religion of their ancestors. Without religion, modern Native Americans find themselves insecure in what their purpose in life is and they often lack moral responsibility as well. The key to possibly fixing this problem is to educate young Native Americans about what their people used to believe in, and what role it played back then. With some good leadership skills and a lot of enlightening, maybe the old Indian religion will be fully restored to what it once was. In conclusion, Native American culture is rapidly being destroyed. Modern Native Americans have lost what it takes to keep a culture alive; religion, structure, and education. If Native Americans are once again going to flourish as a ethnic society, people need to do whatever they can to help build back the essential parts of Native American life. How to cite The Modern Alterations of Native American Life, Papers

Theodor Seuss Geisel Essays - Dr. Seuss, , Term Papers

Theodor Seuss Geisel "I like nonsense, it wakes up the brain cells. Fantasy is a necessary ingredient in living, it's a way of looking at life through the wrong end of a telescope. Which is what I do, and that enables you to laugh at life's realities." Dr. Seuss Theodor Seuss Geisel was born in Springfield Massachusetts in 1904. He went to Dartmouth College and Oxford University as an English Literature student. He started writing for the "Jack'o Lantern" the Dartmouth College humor magazine, and gain much notoriety by writing with "Judge" magazine after that (www.cyber-seuss.com). He worked as a cartoonist for almost a decade and then, in 1937, he wrote and illustrated his first children's book, And to Think That I Saw It on Mulberry Street. The following is from a page I found on the Internet: Long before the Obsks would make a casual appearance in "If I Ran the Zoo" their own story would be told. This story comes from Ted's life around the time he left Standard Oil in the 30's while the depression still held America in its grips. It was a 4 page illustrated novelette that was never published, and the text went like this. A flock of Obsks From down in Nobsks Hiked up to Bobsks To look for Jobsks Then back to Nobsks With sighs and Sobsks... There were, in Bobsks, No jobs for Obsks. Dr. Seuss was a genius, who did not only write his books for children. Many of his books have morals that he was trying to get through to the adult who was reading the book, and at the same time instill them in the child as they grow. And to Think That I Saw It on Mulberry Street is an example of this type of book with morals for both adult and child. It is the story of a boy whose imagination is too strong for his father's liking. The boy is afraid to go home and tell his father what he thinks he saw on Mulberry Street, in fear of what his father will say about the outrageous things that happened. Seuss was trying to show how adults can stifle and kill a child's imagination without even knowing they are doing it. (http://www.afn.org/`afn15301/drseuss.html) Dr. Seuss's first book was an instant success and soon after came the books The King's Stilts (1939) and Horton Hatches the Egg (1940). During World War II, Geisel wrote films for the war effort. One of these films, entitled Design for Death, a documentary about the Japanese people, won him an Academy Award in 1947. For several decades following Ted Geisel wrote many more children's books, 40 books in all. They include favorites as How the Grinch Stole Christmas, the first grade reader The Cat in the Hat, and Green Eggs and Ham. The Lorax, written in 1971, focused on environmental concerns such as air and water pollution, and land waste. In 1984, he wrote The Butter Battle which revolved around nuclear war. It seems that Ted Geisel was asked by a Dartmouth college classmate to come to Chicago for a visit, and being promised a third honorary degree as a filip, Ted and his wife Helen went, only to find out that he was scheduled to be the speaker at the commencement ceremonies. He only had a short time to put together a speech, which lasted only 75 seconds, and was titled "My Uncle Terwilliger on the Art of Eating Popovers". My uncle ordered popovers from the restaurant's bill of fare. And when there were served, he regarded them with a penetrating stare... Then he spoke great Words of Wisdom as he sat there in that chair! "To eat these things," Said my uncle, "You must exercise great care. You may swallow down what solid... BUT... You must spit out the air!" And... As you partake of the world's bill of fare, That's darned good advice to follow. Do a lot of spitting out the hot air And be careful what you swallow.